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Linda Jones
Linda Jones is completing an MRes in Art and Design at Liverpool John Moores University. As an undergraduate in 2012 Linda worked on The Liverpool Doors exhibition, where her roles involved assisting Bill Longshaw with the curation and installation of the exhibition, as well as painting several doors - including the Seagull Door- a door that once belonged in Arthur Dooley’s studio. The exhibition, which opened at The Museum of Liverpool in March 2012 also presented the poetry of Roger McGough alongside installation. This led her to ask the question: ‘How does one become successful and well known as an artist/poet’ This helped form the research question for her MRes thesis entitled, How the Liverpool poets gained success in 1967. Since graduating from University in 2012, Linda has taken part in two exhibitions at the Baltic Creative; one for ‘Light Night’ entitled Looking towards the New World (2015) and one entitled Superhuman (2015). She has also produced reviews for the publication World Film Locations, Liverpool, (Connolly and Whelan, 2013) on the films Shirley Valentine (1989) and Waterfront (1950). On completion of the MRes, Linda Intends to progress to PhD level.
Artist Statement
For this exhibition Linda has thought of using a piece of poetry that was performed and written by one of the Liverpool Scene Poets - Adrian Henri. There are two poems she has chosen to recite because they deal with the theme of Love. Adrian Henri first performed his poetry in the early to middle 60’s. The style of poetry is different to the type of academic poetry read in schools. It was the Liverpool Poets desire to bring poetry to the people in a way that had not been thought of previously. This resulted in their work being published in one of the bestselling poetry anthologies of all time called the Mersey Sound, by Penguin in 1967. Love is is included in this anthology. Linda has chosen this because of it’s down to earth treatment of the subject matter which the Liverpool Poets are famous for.
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